[ Independent since 2019 · six shows · listener-funded ]

Made forthe goodheadphones.

Earshot is an independent podcast network — six shows about sound, music and the people who make them, produced slowly, mixed properly, and released when they’re ready. No algorithm in the signal chain.

Shows
6
Episodes
448
Listeners / mo
214k
CUEDSignal Path · #84

The loudness wars are over (we lost)

0:00CH 01Cold open41:07

Drag the wave to scrub — space toggles play while it’s focused. The transport is simulated: this demo ships no audio files.

[ The shows ]

Six shows. One rule: it has to sound like somewhere.

Every show on the network is made by the person whose name is on it — no content calendar, no house style. If an episode isn’t ready, the feed waits.

Signal Path

w/ Mara Quist

How recorded sound actually works — one gain stage at a time.

weekly · ~40 min84 eps

Dead Air

w/ Errol Fane

Histories of radio stations that signed off and never came back.

fortnightly · ~55 min52 eps

The B-Side

w/ Juno Reyes

Musicians on the song that almost made the record.

weekly · ~35 min121 eps

Night Bus

w/ Sam Okafor

Quiet documentaries, recorded after midnight, mixed for headphones.

monthly · ~30 min33 eps

Patch Notes

w/ Lena Vogl

Synth builders, bedroom producers, and the machines between them.

weekly · ~45 min97 eps

Foley

w/ Dot Marsh & Iggy Brand

The people who make movies make noise. Celery, gloves, gravel.

fortnightly · ~30 min61 eps

[ Latest episodes ]

The broadcast log.

Fresh from the mix bus. Hit cue it up on anything below and the deck at the top of the page will load it, wave and all.

  1. JUL 10
    Signal Path · #8441:07

    The loudness wars are over (we lost)

    Two masters of the same song, fourteen years apart, and a meter that refuses to lie. Mara walks the whole arms race — and what streaming normalization quietly did to it.

  2. JUL 08
    The B-Side · #12138:12

    Three chords, wrong order

    A demo that sat on a hard drive for nine years because the bridge arrived before the verse did. Juno gets the band to play both versions back to back.

  3. JUL 03
    Patch Notes · #9747:55

    A filter you can hear smiling

    Lena visits a two-person workshop in Tallinn that hand-matches transistors for a ladder filter clone — and asks whether “character” is just tolerance drift with good PR.

  4. JUN 27
    Dead Air · #5255:40

    The transmitter in the corn

    For 31 years, WKRN-AM broadcast crop prices, tornado warnings and one very strange overnight jazz show to four counties. Then the license lapsed on a Tuesday.

  5. JUN 24
    Night Bus · #3329:03

    Last stop, Harbor Road

    One route, one driver, one binaural rig taped to the luggage rack. Recorded between 1 and 4 a.m. Best heard the same way.

[ The hosts ]

No headshots. Voiceprints.

You’ll never see their faces on this site — you’re here for their ears. Each portrait below is the host’s waveform, nothing else.

Mara Quist

Signal Path

Mixed live radio for twelve years. Owns three loudness meters, trusts none of them.

Errol Fane

Dead Air

Keeps a shelf of reel-to-reel tape rescued from station skips. Digitizes on Sundays.

Juno Reyes

The B-Side

Session bassist turned interviewer. Asks the question the liner notes never answered.

Sam Okafor

Night Bus

Records everything at 4 a.m. because, quote, “the city finally stops lying to the mic.”

Lena Vogl

Patch Notes

Built her first synth from a kit at fourteen. It still drifts sharp. She calls that a feature.

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