Chef 210
£4201080/15N20 · 61 HRC · stabilised walnut
The one that lives on the block. Thin behind the edge, heavy where it counts.
2–3 wk lead[ Est. 1974 · one smith · one anvil ]
Pattern-welded Damascus kitchen knives, splitting axes and garden tools — drawn out, folded, welded and quenched by hand. The pattern is the proof: no two blades leave the shop alike.
[ The forge ]
A knife is not cut from a bar. It is persuaded out of one — each step a colour of heat, each colour a temperature you learn by eye before you learn by thermometer.
The billet is heated to a dull cherry and hammered long — the first commitment. Get the taper wrong here and every later heat inherits the mistake.
≈ 850 °C — dull cherry1080 and 15N20 are stacked, brought to welding heat and folded — seven folds doubles to two hundred and fifty-six layers. Flux keeps the scale out of the seam.
≈ 1300 °C — near whiteProfile, bevels, tang. The pattern is still hidden — it lives in the layers, waiting for acid to bring it up. Filework goes on the spine while the steel is still soft.
≈ 950 °C — orangeThe heat that names the shop. Non-magnetic, then straight into warm oil — a hiss, a plume, and the steel locks hard in under two seconds. This is where blades are won or cracked.
≈ 815 °C → oil, ~50 °CTwo low bakes pull the brittleness back out. Then a bath of dilute acid eats the softer layers a fraction faster — and the hundred folds finally surface as light and shadow.
≈ 200 °C — straw[ The tools ]
Six things worth keeping. Everything is full-tang, hand-finished and stamped with its plate number. Re-grinds are free, for as long as the shop stands.
1080/15N20 · 61 HRC · stabilised walnut
The one that lives on the block. Thin behind the edge, heavy where it counts.
2–3 wk leadforged eye · hickory haft · linseed cured
A convex cheek that pops rounds without burying. Sharpened to split, not shave.
made to order1080/15N20 · 62 HRC · bog oak
Small, nimble, absurdly sharp. The knife you reach for without thinking.
in stock5mm spine · full flat · ebony scales
Bone, squash, everything. A blade with opinions and the mass to enforce them.
restocks auggarden knife · half-serrated · oiled ash
Dig, cut, weed, plant. The tool the shop uses to prove Damascus isn't precious.
in stockforged Damascus billet · 200×40×6mm
For the makers. Etched to show the pattern, ready for your own handles.
in stock[ The smith ]
My grandfather quenched farm tools in a bucket of oil behind this same shed. The oil has been topped up, never changed — there's fifty years of steel in it, and I'd swear it bites a little truer for it. That's not metallurgy. That's just what I believe.
I make around a hundred and forty pieces a year, which is as many as one pair of hands can make well. When I'm buried in orders I don't hire — I just make you wait. A knife you'll own for forty years can afford to take three weeks.
Everything is stamped, numbered and logged in the same ledger my grandfather started. Send a tired blade back and I'll re-grind it, re-handle it, and log the date. The shop remembers every tool it's ever made.
— R. Thorne, since 1974
[ Commission ]
Every commission starts with a conversation, not a catalogue. What you cook, what you split, the size of your hand. I'll draw it, quote it, and put you in the book.